Listening #8: Plastic Anniversary by Matmos

Matmos is a two-piece electronica project coming out of the eccentric Baltimore scene. With experience in writing albums utilizing a single sound source, their 2019 release Plastic Anniversary on Thrill Jockey Records embarks on an elaborate sonic journey using entirely the sound of plastic materials. Intensely rhythmic, colorful, and squeaky- the project sounds like aContinue reading “Listening #8: Plastic Anniversary by Matmos”

Listening Blog #7: Helena Gough’s Mikroklimata

Helena Gough’s Mikroklimata is a four-track album spanning over 30 minutes of music. A rather consistent sonic aesthetic is present throughout the album, consisting of dark, buzzy drones interrupted by sharp, glitchy sounds. It creates such a vivid setting to me, like a distopian cyber-punk city devoid of life or some kind of malfunctioning electronics.Continue reading “Listening Blog #7: Helena Gough’s Mikroklimata”

Listening #6: Space, Motion, and Paul Lansky’s “Ride”

Living in a small town right on Interstate 95, it’s not hard to identify Lansky’s influence with this piece. Although the sound of the travelling vehicles may come as an annoyance to many in the town, I have often been fascinated by the way they reverberate and stretch across the corn fields. The wispy soundContinue reading “Listening #6: Space, Motion, and Paul Lansky’s “Ride””

Listening Blog #5: Concert!

For anyone interested, you can find a more in-depth post about my own piece on my Tumblr music blog: musicblogben.tumblr.com So, at last, our group’s Planetarium-Electro-Acoustic-Extravaganza was cancelled. But the music lived on! I downloaded all the files far past my bedtime last night and listened to them beginning to end from the comfort ofContinue reading “Listening Blog #5: Concert!”

Listening Blog #4: Michel Chion’s “Requiem”

This week’s listening was of Michel Chion’s Requiem (1973). The piece contains ten movements, which are represented as individual tracks on the CD. Chion seems to divide the 10 movements into two larger parts, I (1-6) and II (7-10). Without diving too deeply into the aesthetics of the sounds just yet, it can broadly beContinue reading “Listening Blog #4: Michel Chion’s “Requiem””

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